Some stories have such a strong hold on the popular imagination that they refuse to fade away. The desire to reconnect with the familiar in a new way has a history of crossing different media: the written word, opera, drama, the movies. Sometimes it’s the original storyline relocated in time or place, sometimes a sequel or … Continue reading
Most writers say they learn from every book they read and I’d agree with that. Whilst it’s very valuable to observe how others handle a similar theme, style or genre, for me there’s a particular fascination, often mixed with admiration, to reading something I wouldn’t attempt myself, and that includes the fictional portrayal of a historical … Continue reading
Any novel set in New York City, whether historical or contemporary, stands a good chance of catching my eye but two things in particular attracted me to Karl Taro Greenfeld’s first novel Triburbia: the chance to discover Tribeca, a neighbourhood I know only very superficially, and an interest in novels which tell the same events … Continue reading
Many people say they read fiction because a book gives them the chance to step into lives other than their own. Sometimes this comes in the form of escapism, sometimes anything but. In fact, novels are often judged on the author’s ability to draw the reader into a world which is believable and that can only happen … Continue reading
Given my love of US fiction, it’s surprising that I haven’t hosted an American guest author before now, but it’s been worth the wait – I’m thrilled to welcome international bestselling author Tracy Chevalier to the Literary Sofa. Tracy has written seven novels including Girl with a Pearl Earring which sold over 4 million copies. I … Continue reading
Although there’s been a trend for books with child narrators over the last few years, not many have appeared on the Literary Sofa. Pigeon English by Stephen Kelman demonstrated the potential rewards for authors who succeed in capturing a child’s voice for the adult fiction market. No wonder it’s so notoriously difficult to pull off: the voice has to … Continue reading
Despite growing up in the country I’ve become a real city person as an adult and have lived in London (south then north) for over half my life. In any city, I’m particularly drawn to the everyday and what often goes unnoticed. It was Sarah Butler’s ability to observe and capture the real essence of London which made … Continue reading
My Hot Picks for 2013 includes two titles in translation, the first time that foreign-language fiction has been featured here. Whenever I wander around a bookshop in a non English-speaking country, I’m amazed how many titles are in translation – and not just from the huge English language market. The fact is, many other nationalities … Continue reading
Emma Chapman’s debut novel How To Be A Good Wife was released last week after months of mounting anticipation amongst would-be readers. I had the good fortune to read a review copy in the autumn and to meet Emma and other up-and-coming Picador authors shortly afterwards, and I was so impressed with her debut that it made … Continue reading
For my recent post Write What You Know? I received some great replies when I asked fellow writers what they make of this piece of advice. I was so intrigued by historical crime writer D E Meredith’s answer ‘I write what I don’t know’ that I invited her to the Literary Sofa to explain why she feels that … Continue reading
